- Hello, do you hear me? - Yes, I hear you.
- Do you have news? - No nothing.
- I'm preparing a surprise for them. - What?
I bring a Christmas tree.
Is that a joke? Will it work?
Perhaps...
Will you arrive on time or not?
I know it never happens, but I'm looking for a main actor.
Tell me if we have to cancel.
It's embarrassing for me.
You don't have to cancel.
Two weeks is long. You'll find it.
- I have two weeks? - Yes.
Thank you. I need it.
What are you looking for exactly?
Someone nice to watch.
I haven't found anyone credible...
someone I can look at and love.
I'll have to look at it for two years.
We should not look for actors?
It's impossible, believe me.
An actor is dead material.
I need living material.
Someone who does not need to play, because the camera gives it life.
This is what I want.
It is not easy.
If it were easy, would you do it?
Wait, I have to give an interview.
Yes, hello?
Hello Viktor, I am Agi Bojte of Radio Q.
Thank you. Hello to the listeners.
You just made a play in Germany, The Count of Monte Cristo.
How did the German public receive it?
Not bad, it seems.
It's hard for me to judge because German is not my language,
I feel a little uncertain.
But the work was very interesting.
Why did you choose a nineteenth novel?
Is Monte Cristo still relevant...
or was it a faithful adaptation?
Of course it's still relevant.
It was my favorite book in my childhood.
It must touch me for me to think about it.
What touched me when I was a kid, is the victory and justice.
Now that I'm an adult, I don't think that. Not always.
I'm dealing with the loss of that illusion...
And now? A play? A movie?
I would like to make a movie.
I prefer not to talk about it yet.
Thank you. Merry Christmas!
Merry Christmas to you and listeners.
- Yes? - Are you still there?
Of course.
We'll talk again tomorrow at lunch?
I'm alone for Christmas.
- I'll clarify my ideas. - Well.
Don't worry. It'll be fine.
Yes, but still... It's not easy.
- I know. See you tomorrow. - Goodbye.
Oh!
Oh! The key!
- Someone there? - No, there's nobody.
- The key. - Oh, excuse me.
The tree is for casting?
Yes, that's what I thought.
What will it be for?
You're right.
- You want it? - Yes. Thank you.
Help me with the bulbs.
It must be put back with accessories.
Are you still alone for Christmas?
Don't like Christmas, huh?
Not really.
Come come. I need help.
Sorry.
I bought a beautiful fir tree, for you.
Thank you.
And you owe me three weeks of rent.
You have been living for three months at my expense.
You and your dear husband.
Asshole.
Andras.
Did you write that you wanted to be an actor?
Since when?
Being a kid, I often went to the cinema.
I loved movies, actors Game.
Did you see some movies?
Yes of course.
In movies, the actors laugh and cry.
I want you to cry now.
- Look, have you ever cried in your life? - Yes.
- Have you ever been sad? - Yes.
Think about it and try to really cry.
Imagine that you see that in a movie...
- Listen, can you cry for good? - No.
Ferenc, Laszlo is your best friend.
Laszlo, you say that Ferenc is too.
- It is true? - Yes.
Yes.
Why do you want to be actors?
Because we like it.
In movies, people laugh or cry.
Imagine that your best friend is dead.
You cry for his death. Go ahead, cry.
Action.
Cry, please.
- I want the white ones. - How many?
The whole bouquet.
- It's for a dead person? - No.
So don't take these flowers of mourning.
I find them beautiful.
No need for paper.
Thank you.
Introduce yourself here for the casting.
The forms are here.
You have to wait downstairs.
- Are you used to cinema? - Yes.
In movies, people laugh and cry.
Go on, cry.
Well.
- I can't do it. - Sorry?
- I can't do it now. - I see.
- You're a widow. - Yes.
If I remember correctly...
- You were there when your husband... - Yes.
- How long has it been? - Nine months.
Not long enough for having forgotten.
I haven't forgotten.
So, think about his face...
look at him in the eyes and try to take his hand.
Look at him and imagine you're with him.
"No admittance", it's also goes for you!
Introduce yourself, my daughter.
She was fired, give her a try.
I understand, but don't enter.
I know.
What should I do with her?
Give it a try. She was fired.
- What are you doing? You go away. - Thank you.
- I was a manicurist. - Great.
So you know how to cut nails. Great.
You can sit without moving? Go ahead.
Come.
We will try something else.
Do you want to advance a little?
More more. Like that.
She still wants to commit suicide. You stop her.
Come in here.
Here are some pills for that the actress will use.
Here.
Natasha, go ahead, film. Big plans.
Action.
You have to cry, Eva.
Kata!
What's up, Eva? You're sick?
What? Pills?
Look at me! Open your eyes!
What did you take? Show me what!
What did you take, Eva?
Take that off. You're going to vomit now.
Take it off, please.
- Leave me alone. - Oh?
Rudolf Nagy. You wrote that.
You have no mother, no father?
No size, neither weight nor size?
Neither age nor hobby, No address?
Do you see that glass?
Pour some water and drink.
Very well. Now, take off your shoes.
In the movies, people are laughing and crying.
What you have to do, is start crying.
Action.
Go on, cry.
I'm crying.
You're trapped in a cave.
Put yourself against the wall, hands in the air.
Bandits locked you inside.
Look in the air. This is the issue. You pray.
You have to say: My God, help me.
Got it?
Great.
When I say "action".
Action.
It's not over. What are you doing?
I'm recovering.
You can't leave.
You still have to do something.
Come please.
It's Tunde. She's a fired manicurist.
We give it a try.
Put yourself on the white line.
Well. Look at me.
Tunde, you're in love with Rudi.
Rudi, you're in love with Tunde.
Tunde, you try to seduce Rudi.
Look at you.
Action.
I love you so much!
Leave me alone!
No problem.
What are you doing?
Not like a tank!
Do you know what love means?
- Can you behave like a human being? - Yes.
Try to combine that.
On the white line. Carefully.
Ready.
Action.
Hello, Rudi.
You remember the time in front of the house?
I took out the dog. Kiss Me.
Leave me alone!
Why do you jump him on him like that?
Do you have psychological problems?
We start again. It is not serious. Come.
I would react the same.
Do you like to kiss? And you?
So try.
Look at you.
Action.
I love you.
- I love you so! - Don't touch me!
Natasha, give me the camera.
It's nothing. Come here. You too.
Thank you. If you film with that...
we can see the images in this piece.
I trust you, I give it to you and you film the next scene.
If you trust me too, you take this camera.
You trust me?
Well, go to the other room.
You know the building?
You've just been fired.
You will be able to rework thanks to him.
You do what comes to mind, okay?
It was your child's room.
Action.
Come, let me kiss you. Go!
Do you remember? It was our room.
Come on, let me kiss you again.
Go! Don't be stupid.
I want to kiss you again.
It's incredible.
I need this job, and money too.
Come on, let me kiss you.
- Leave me alone! - I beg you!
We must do it. I must kiss you!
- Go away! - It's incredible!
Come, I must kiss you. Go!
Oh, excuse me! Don't be angry!
My God! Okay, okay.
And that? No?
Come here.
Come on, come on.
You don't want me? You want me to come?
- Go! - Leave me alone!
Come on, kiss me!
Fucking shit!
I'll go get them?
You can go get them, Natasha.
Come. Come see.
The camera was in the trash, but we don't have the tape.
- Send her to the lab. - Yes, sir.
The attic is free. Where is the cellar?
I'll show you.
Did you know this boy?
I had never seen him before.
We start again from the beginning.
- The victim was your daughter-in-law? - Yes.
Are you the only one living here?
The apartment is mine.
How the director come here?
He wanted to make a movie here.
Why? What kind of movie?
- Have to ask him. - What?
Ask him.
How long have you known him?
I don't remember.
He pays you?
- Why? - To work here.
He is obliged.
- Does he owe you something? - Sorry?
He owes you something?
Indeed. A lot.
Do you have any data?
Stay a little longer there. Wait.
Damn, you killed my daughter!
You killed her, you dirty asshole!
I'm going to kill you, fuck!
Return people. You come with me.
Okay?
Come on, faster!
I want to arrange a funeral.
It's for my 17 year old daughter.
With a casket.
Yes, with a funerary stone.
500,000 forints.
Thank you.
Give him a bottle, full cognac.
That's not how you cry...
We wouldn't cry like that.
I would not cry for my daughter like that.
I'll look for him... that bastard.
I'll catch him with friends.
That's how I cry for someone.
You should think about it.
Store this bazaar.
Hi, mama.
How did you get in?
Did you come in through the window?
Did you bring the flowers?
How did you find me?
Where is your coat?
Where did you leave it? Huh?
Why do you have your hair cut short?
Don't be afraid. I'll do you nothing.
What do you have?
You saved yourself?
What do you do to this girl?
Do you want to strangle me too?
You want to eat, huh?
Who is my father?
You don't have a father.
When is my birthday?
January 16th or March 8th. As you wish.
What year?
You were born in 1991, my boy.
In the street, I would have never recognized you.
You can't stay here, you must leave.
It's better for both of us that you leave.
You must understand.
You'll get a metro ticket and a coat.
Come, hurry up.
Don't move and keep it closed.
Good evening, I'm from the police station.
I've come to take photos...
in relation to murder.
Okay?
This is your bed?
- Do you live here? - Yes.
- That's all you got? - Yes.
Your mother doesn't buy you stuff?
She's not my mother.
- Where is your mother? - I don't have one.
- And your father? - I don't have one either.
- How come? - They're dead.
And you?
Not important.
- I'll help you. - Leave, I'm doing this alone.
You are very beautiful. I love you so much.
You should use a little make up.
A little lipstick.
Come here.
Wipe that off.
Go get Argyelan.
You don't want to put lipstick on me?
Outside!
Outside! Disappear!
- Why hurt her? - I didn't do anything.
No? What do you have, fool?
I'm your mother, you know.
In. You can stay until tomorrow morning.
And be grateful.
- So? - I tried, but he didn't come.
He's drunk. Where is he now?
- At the Royal. - Go up to bed.
I have to eat.
You know where I can hide?
Wait for me there.
It's going to snow.
Perhaps. I have to lock up.
What do you want?
Rudolf Nagy.
You call him that...
Let me enter! I'll break the door.
- What do you want with him? - Where is he?
- You don't want to know. - Don't play with me.
I don't play. He left, gone.
- Where is he? - Who?
- Didn't you see him? - Who?
- You know who. - No I don't know.
Where is he?
- I dunno. - Stop.
When I returned, he had jumped out of the window.
- When? - I dunno. In the night.
- What window? - This one.
Take this.
Here's some water.
Thank you.
Press upward. Press.
Let me do it.
I haven't slept since.
Never again.
You never told me about him.
I don't want to talk about it.
- He was looking for me? - No.
- He knows I'm his father? - No.
You lie?
No, I never told him about you.
You feel better?
Much better.
So you'll get up and leave.
It's better for everyone.
What?
Get up and go, like your son.
You're great.
Magda.
Call a taxi for the gentleman.
Wait. Come.
- Why? - Come.
- Is he really your son? - You heard it.
You won't blame him?
No. Is he here?
No. Give me your address.
Will you see him soon? Take him home?
You weren't gone, huh? You stayed.
What did you do with him?
Nothing.
Why's his sweater on your bed?
He didn't feel well.
Where do you know him from?
I don't know him. He works here.
- He was looking for me? - No.
- Why did he come here? - I dunno.
He took the girl.
No, I sent her to get Argyelan.
- She's your daughter? - No.
Why is she here?
She studies. She's nice. Why?
He will be back?
Yes, with Argyelan. You'll get in trouble.
You have to leave, fast.
Only if you let me marry.
Who? Magda?
I'm all alone, I need a woman.
I promise you nothing.
Do this for me or I'll shoot myself.
- I'll try. - No, you do it.
And you will leave?
Yes, I'll leave.
Alright then. Come.
Take a bath, future bridegroom.
You stink slightly.
Kiss your mother.
I only wanted to help.
- Hi. - Hi.
- Is there something wrong? - No. Let's go.
Not yet. Sit down first.
- Why? - I want to see you.
Look at me.
You are very beautiful.
You have very beautiful eyes.
Your blouse suits you well.
I love you and I'll marry you.
We go to the wedding and we get married.
And we're going on a honeymoon.
We will have a nice car. And kids.
- We must go. - In the morning.
Come.
Don't you undress?
Let's eat a little first.
So we start?
Yes?
- I've never-- - It's nothing.
Viktor, are you there?
Viktor.
What are you doing here?
Answer.
Who were you with?
Answer.
Who were you fucking with?
We promise you a role, open your legs!
Answer! Speak!
Open your mouth, shit!
Dirty whore! What were you doing in here?
What were you doing here?
Let me by, fool.
He hurt her.
Do you want to kill me too?
Who is my father? Who is my father?
- You know very well. - Why did you lie?
I wanted you to move on. Let me enter.
I can also call the cops...
And you will stay in jail, for the rest of your life!
It'll be the end of you! You'll see!
- Hey, you there! - What do you want?
Hi, Dad.
Get in back.
So?
Say something.
Speak.
I didn't do it on purpose.
Do you feel sick?
You know what will happen.
You hear me?
I stay with you.
Impossible, my boy.
I have to bring you back. It's safer there.
You're asking for it.
You have to go back to the center.
- I'm going now. - What?
- I'm going. - No! What are you doing?
Stop! Don't do that! Stop!
Stop!
- Come back! - Leave me alone!
Hello.
Why did you tie me up?
I didn't want you to run away.
You were scared of me?
No.
- I didn't want that. - I believe you.
- Where are we? - In Austria.
Have you ever been abroad?
No.
- Where are we going? - To a nice house.
I was 16 years old when you were conceived.
A year younger than you now.
I didn't want to change the diapers.
Get up at night...
I wanted to make movies, theater.
I wanted to live.
Since our breakup, I slept around more.
I had a lot of women.
Never anything serious, but...
Do you want to see the sunrise?
- Huh? - Yes.
Well. There's a place near here.
- Put this on. - I'm not cold.
It's snowing.
Where is this house?
You see this chain of mountains?
Behind, there is another valley.
We must push north.
It's the Tyrol.
I often came here with my parents.
Magda can come too.
- It would be good. - It'll be good.
Come.
Come on, come on!
You can sit in front.
- What are you looking at? - I can't see.
Sunglasses are in the box.
I don't see them.
Hold on.
Here.
It's okay.
Don't move.
Don't move. Lay your head.
I'll get help.
I'll be right back.
Lay your head.
Even more. Even more.
I'll be right back.